Pop music surrounds us, but how often do we really listen to what we’re hearing? Switched on Pop is the podcast that pulls back the curtain on pop music. Each episode, join musicologist Nate Sloan and songwriter Charlie Harding as they reveal the secret formulas that make pop songs so infectious. By figuring out how pop hits work their magic, you’ll fall in love with songs you didn’t even know you liked.

The 63rd GRAMMYs was as unprecedented and unusual as last year.

Backdropped by the pandemic, the show was delayed and had to be taped in multiple locations in front of a bare bones audience. Echoing the public cries against injustice, standout performances by Mickey Guyton, DaBaby, and Lil Baby decried racism to the nation and to the Grammys—the academy made multiple public statements throughout the night promising to do better.

The more light hearted performers played best against highly produced backdrops (Silk Sonic, Megan Thee Stallion, Cardi B, and Taylor Swift), but others fell flat, lacking an audience reaction. Not unexpectedly, the Grammy awards ranged from predictable to jaw dropping. Notably, Beyoncé broke records: she now holds more Grammys than any other singer in history.

And the major four categories —Best New Artist, Song of the Year, Album of the Year and Song of the Year — were all awarded to women. While the Grammy ceremony horse race can be as much a commentary on commercial worth as musical strengths, the ceremony has much to teach us about what pop music means in 2021.

[audio audio="https://dcs.megaphone.fm/VMP9511292587.mp3" title="What the 63rd GRAMMYs say about the state of pop" descr=""]